About The Study

This PhD research project, conducted at the University of Sheffield, explores the cultural and musical significance of the khomus (jaw harp) within Sakha communities and its broader impact worldwide. By studying khomus music and performance across various settings, the project aims to understand how this unique instrument contributes to cultural identity and connection. Data will be gathered through interviews and listening tests with jaw harp practitioners, as well as feedback from audiences at events like the Ancient Trance Festival, Munnharpe Festival, Den Brumle, Musikhelg, and others. Participants include both live attendees and social media users engaged with the khomus.

Methodology of the Research

The research employs a multi-method approach to gather comprehensive insights into the cultural and musical significance of the khomus. Methods include:

• Interviews: Conducted in various formats (online, in-person, and written), these interviews will capture perspectives from khomus practitioners, festival attendees, and other individuals involved in jaw harp communities.

• Audio Test and Survey: Participants will engage in a listening test to assess their perception of khomus sounds, timbre, and overtones, followed by a survey to gather contextual responses and demographic information.

• Digital Ethnography: Analysis of online communities, social media platforms, and digital content related to the khomus will provide insights into the instrument’s virtual presence and its role in identity and community formation.

• Observation: Field observations at live events and virtual observations of online interactions will allow for an in-depth understanding of how khomus music is experienced and shared across different environments.

For any queries or questions, please contact:

Primary research investigator Saydyko Fedorova South (s.f.south@sheffield.ac.uk)